Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs |  | Brand: Canon
Category: Photography
List Price: $899.99
Buy Used: $648.00
as of 9/10/2010 17:54 CDT details
You Save: $251.99 (28%)
In Stock
New (13) Used (10) from $648.00
Seller: gmustuk
Rating:  149 reviews
Media: Electronics
Autographed: No
Memorabilia: No
Batteries Included: No
Optical Zoom: 2.2
Maximum Aperture: 3.5
Maximum Focal Length: 22
Minimum Focal Length: 10
Shipping Weight (lbs): 0.9
Dimensions (in): 6 x 4.5 x 4.5
Legal Disclaimer: Warranty does not cover misuse of product.
MPN: 9518A002
Model: 9518A002
UPC: 013803043099
EAN: 0013803043099
ASIN: B0002Y5WXE
Availability: Usually ships in 1-2 business days
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| Features:
| • | 10-22mm wide-angle zoom lens with f/3.5-4.5 maximum aperture for EOS digital SLR cameras | | • | Superior AF performance and speed, with full-time manual focus with the turn of a ring | | • | Close focusing to 9.5 inches; fills the frame with subjects as small as 3.6 x 5.4 inches | | • | Circular aperture design produces natural highlights; EF-S lens mount for 20D and Digital Rebel | | • | Measures 3.3 inches in diameter and 3.5 inches long; weighs 13.6 ounces; 1-year warranty |
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Product Description
With its effective focal length range of approximately 16-35mm in 35mm format, the EF-S 10-22mm f/3. 5-4. 5 USM is a remarkable lens with outstanding image quality that will take your photography into new dimensions and areas of dramatic expression. The super-wide zoom not only gives you the freedom to get exactly what you want in the shot, it dramatically alters perspective to allow for dynamic expression. The lens allows you to get extremely close to subjects, exaggerating the difference in size between a near object and its background. Creative photographers can use this phenomenon to create excellent separation between subject and background for a strong sense of presence, or for a pan-focus effect with everything from foreground to background sharply in focus. Exceptionally light and compact for its focal length range, the EF-S 10-22mm f/3. 5-4. 5 USM also has an incredibly close minimum focusing distance of just 24cm. A ring-type USM works in concert with the camera to provide super-fast, precision auto focusing and predictive tracking - with full manual override available at any time. Designed specifically for digital photography, the lens has specially shaped lens elements and Super Spectra coatings to suppress ghosting and flare, which can be caused by reflections off digital camera sensors. An exclusive optional lens hood can further reduce the incidence of flare. A circular aperture provides a pleasing background blur when shooting with a wide aperture; ideal for creating a sense of depth and getting your subject or model to stand out from the background.
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| Customer Reviews:
Showing reviews 1-5 of 149
 The answer to the crop sensor problem. November 20, 2006
Jim Krupnik (Watchung, NJ United States)
370 out of 385 found this review helpful
My take on this lens is that it is an "L" quality optic in a fine, non "L" package. There is nothing else on the market to compete with it (nothing at all), and it produces supurb images. It isn't an f/2.8 lens, but it is close enough for most uses. The competition from Tamron is a full stop slower, not as sharp, and is awful in dim light compared to the Canon 10-22 lens (sorry, Tamron fans, but the Tamron lens isn't even playing in the same ballpark).
I use this lens on a 30D body, and I always keep it on hand if I'm doing any indoor, or tight group photography. It is the perfect solution to the perennial problem of not having enough room to capture all the kids at a birthday party in one shot because your back is up against a wall. This lens will just about get your toes into the picture at the widest setting, yet delivers tack sharp, colorful, and contrasty images. The auto focus is spot on, silent, and fast. It is a must have lens for the active amateur, or any pro using a 1.6 crop factor camera. You simply can't beat this lens with anything available on the market today.
That beng said, do not try to convince yourself that this will make a good "walkaround" lens. It isn't. Even at max length, it is far too short to live on your camera as a standard lens. You need this lens, even if you don't know it yet, but it should not be your first lens, as it will only be used 15 to 20 percent of the time. At those times, it's performance simply cannot be equaled by any other zoom lens on a 1.6 crop factor camera. You will be amazed by the quality of this lens. It rivals the performance of modern prime lenses, presents a bright viewfinder image, and delivers the goods in tight situations.
This is not a casual assessment, nor a Canon "feel good" moment on my part. I developed my first B&W contact prints in 1964, in my own darkroom at the age of 9 (my parents were concerned:)), and have been an avid photographer ever since. Small, medium, and large format cameras and lenses have passed through my hands over the years, and Canon has become my favorite small format brand. Still, Canon builds some trash lenses that should be avoided. The 10-22 USM is not one of them :).
Before you go out and buy this lens, you should already own the EF-S 17-55mm IS f/2.8 lens. That is the king of 1.6 crop factor standard lenses, and includes the awesome Canon IS feature. It will end up being mounted on your camera 80% of the time, and keep you smiling after every shoot. Get that lens first. Then, get the 10-22mm lens. Then, let your imagination run wild, and plan on serious telephoto lenses for the future. Trust me or not, the two lenses mentioned above will provide you with photographic tools that will astound you. Get them in your kit as soon as you can afford them.
A little warning about either lens.... Some here will argue the point, but with either lens, get a GOOD quality UV filter that is multi-coated on both sides, and built extra thin to avoid vignetting at wide lens settings. A good filter will cost a little less than one hundred Dollars, and can cost up to one hundred forty Dollars. The minimum brand would be Hoya Pro 1 multi coated filters, and the ante goes up from there.
Everything else is garbage, including the Canon "sharp cut" filter that costs less than fifty bucks. No kidding, no conjecture. If you use cheap filters, you will never see what your lens can really do. Ever. No doubt that many will respond with claims that their twenty Dollar filter works just fine, but they simply don't know any better, and have never used their expensive equipment to it's full potential. It's akin to a Chevy owner passing judgement on a Mercedes Benz. The Chevy might feel real good, but until you own the Mercedes, you just have no clue.
Bottom line.... Make sure that the quality of your filters exceed the quality of your lenses. Yes, at a hundred bucks a pop for a 77mm filter, it hurts, but you will never regret it. Also, Amazon does not stock lens hoods for all non L Canon lenses. The price is stupid high for those hoods, but they make a night and day difference in in picture quality. Whenever you order a non L Canon lens, find a web seller who has the hood in stock, and get it right now. Again, you will never regret owning it.
That's it for my review/rant. Buy this lens. Buy the 17-55 IS f/2,8 first. Buy the lens hoods for both. Toss any "kit" lenses that came with the camera in the trash bin (where they belong), and be very happy.
The best lens I own March 30, 2005
M. A. Filippelli (Roseville, CA, US)
188 out of 196 found this review helpful
I have had this lens for several months now and let me start out by saying WOW. I looked at the lens in the store along with the Sigma 12-24 and I was in total awe of what I saw though the view finder with the Canon 10-22. This is an ultra wide angle lens that is incredible. I went home and thought about where I would use this lens and determined that I would use it quite a bit. I went ahead and bought the lens and I continue to be more impressed with it every time I use it. I have used the lens for both close-up (which can give you some very interesting distortion shots)and wide angle shots with great success.
The 10-22mm is equivalent to 16-35mm field of view using a canon 20D which is not a full frame sensor. With a minimum focal distance of .24m (about 9.5 inches) you can get very close to objects and still get alot of focal width in the photo. There is incredible clarity in the lens. The photos I have taken are very clear with only a slight hint of softening at the corners at 10mm; everything else is sharp after that. There is a little barrel distortion at 10mm but everything else up to 22mm is nice. I have not gotten any light flare in my photos. The Ultrasonic motor is very quiet. The depth of field is outstanding. A slim UV filter helps prevent some slight vignetting at 10mm. With a maximum aperture that ranges from f/3.5 to f/4.5, the Canon EF-S 10-22mm f/3.5-4.5 USM Lens is a medium speed lens. I would recommend using a tripod if you are at all unsure about your ability to hold the camera still for action shots with this lens. The lens it's self is fairly light weight. If you are going to use filters the lens requires 77mm.
The lens can produce some interesting distortion shots if you are taking close-ups and are not perpendicular to the object. For close-up shots with out distortion it is best to be perpendicular to the object.
Inside the lens housing there are three aspherical lens elements and a Super UD element that produce clear vibrant shots. The lens it's self sturdily built and comfortable to handle.
No excuse not to buy this lens! February 17, 2006
DSR (Anchorage, Alaska)
41 out of 42 found this review helpful
This is one terrific lens! It solves the problem of wide-angle coverage in the 1.6 FOVCF very nicely. As others have pointed out, the mechanical build and optical quality (with 3 Aspherical elements and 1 Super-UD) probably deserve an "L" stamp and a red ring. This lens appears to be of almost identical build, quality and size as the EF 17-40mm f/4.0 L USM. Even uses the same 77mm filter size as most of the L's. Overall sharpness is excellent, with maybe a little softness towards the corners at 10mm, but I've seen comparisons with other ultra-wide zooms like the Sigma and the Canon blows them away! CA is well controlled too. There is slight Barrel and Pincushion distortions present at the low and high ends, but less than would be expected for a lens this wide. All in all this is one of the best wide-angle zooms available.
The major criticism of this lens usually comes down to; "well, how long will Canon continue to make 1.6 FOVCF cameras?" or "Someday I might upgrade to a Full Frame camera, then what will I do with this lens?" I doubt very seriously that Canon will do away with the APS-C cameras any time soon. My reasoning is that:
1. Canon just came out with the Full Frame 5D at the $3000 price point. Introducing a FF camera to replace the 20D at $1500 would kill the 5D after only a few months.
2. Having the EF-S lens line already established almost guarantees keeping the 1.6 format - mostly because of this lens. To be able to use the EF-S 10-22mm, a chip can't really go any bigger than 1.6 since this seems to be the limit of the useable coverage. Using a 1.5 or 1.4 sensor for example would probably start to introduce significant fall-off at the corners of the larger chip.
As I am writing this, the PMA conference is only four days away. My prediction is that Canon will announce a replacement for the 20D that will, in essence be a 1.6 FOVCF version of the 5D. They will probably increase the (already excellent) density of the 20D's CMOS by shrinking pixel size down to around 5 micron yielding something around the 10 mega-pixel range to compete with the Nikon D200. Maybe they will call the camera the 50D after the 5D since they can't really use the name 30D because D30 was already used.
In any case, my point is that the 1.6 APS-C format will likely be around for some time to come, until the point where the FF price point drops enough to warrant discontinuing the xxD line. Even then, when that happens, doesn't mean you'll throw your 20D in the trash! You'll still want to keep using it and/or sell it, and having this lens will significantly increase its usefulness or resale value.
Now, having said all that, this is the only EF-S lens I plan on buying. From the reviews I've read, the other EF-S lenses are of significantly lesser quality, and all of your other lens needs can be met with standard EF lenses anyway, APS-C or otherwise. Plus you get the option to buy L glass.
So, bottom line is buying this particular EF-S lens for a 20D or XT is a no-brainer. It's the best solution for wide angle in this format. Hesitating to buy it because "I might get a FF camera someday" is also nonsensical. What I might do in the future is just that, for the future. Not buying a mid-priced car today because "someday" I might buy a Ferrari doesn't satisfy my use and enjoyment of the car today!
A lens worth buying a digital slr for September 2, 2005
Todd Salerno (berkeley, ca United States)
74 out of 80 found this review helpful
I've been more or less addicted to wide angle photography for the last 20 years or thereabouts. Unfortunately, ultra wide angle shooters have been left out of reasonably accessible digital slr photography until very recently. Now there are several viable name brand options available, namely the Canon 10-22mm f3.5-4.5 reviewed here, the Nikon 12-24mm f4, and the Zuiko 7-14mm f4. Because of the 3 different crop factors involved, these lenses end up being pretty close in (35mm equivalent) effective range; 16-35 for the Canon, 18-36 for the Nikon, and 14-28 for the Olympus. Many will caution against purchasing these lenses since they cannot cover the full frame 24x36 format, and cannot even be mounted on a regular body. In the Olympus' case, it doesn't matter since the company has staked its fortunes on the smaller 4/3rds sensor format, and has opened it up to other manufacturers such as Fuji and Panasonic. With the Nikon and Canon, you are taking a leap of faith that the companies will continue to produce 1.5 and 1.6 crop factor sensors into the future so that you will be able to take your crop-only lenses to upgraded digital bodies down the line. To my mind, Olympus has already demonstrated the desirable technical characteristics of a smaller sensor format, so there is good reason to believe that smaller than full frame sensors are here to stay. By extending the glass beyond the mount and into the body, and/or covering a smaller circle, Canon and Nikon are providing those same technical benefits to users of their smaller sensor cameras, namely sharp, extra wide angle in a compact package. Besides which, I'm much more concerned with the photos I couldn't take if I stayed away from the product, than I am with its unknown future upgrade path.
While the Olympus lens and 4/3rds system was intriguing, I felt that the 7-14mm wasn't worth more than double the price of the Canon for 2 extra mm at the wide end. It's also double the weight - making it impractical for use as an everyday lens, and negating the advantages of the E-1 body. So, I was pretty much down to the Canon or the Nikon (or the always available Waitsomemore).
At this point, I should say I'm platform agnostic. In the 80's I happily used Minolta equipment. In the 90's I bought some Nikon gear to use their 15mm prime lens. Basically, if it suits my purposes, I don't care what the label is.
Back to the lenses. The Nikon is more expensive and less wide, but it does have the continuous maximum apeture throughout the range. The Canon is wider, a tad lighter, and a tiny amount faster at the wide end. Both appear to be excellent choices, but I could not consider them independently of the cameras they would be mated to. Since I did not already own a digital body, it also came down to a decision between the Canon 20d & Nikon D70s. Here, the Canon wins for me on quality of sensor and a host of other details.
In practice, the lens is a joy to use. It's sharp. The zoom allows it to be as wide as you need it, which is an improvement over my previous favorite Minolta 20mm 2.8, though it does lack the depth of field scales which the Minolta has. The zoom also allows for keeping the lens mounted without switching as often, and that's important for keeping out dust. It's a very solidly built, quality instrument. Focus is fast if you're into that sort of thing, and nearly silent with the ultrasonic motor. The lens does not extend in length for zooming or focusing, though the front elements do move slightly inside the barrel. Mated to the 20d it's a tool that exceeds my previous film cameras in just about every way imaginable. I'm finally free to make the ultrawide photos that I want to make in the digital domain and the initial results have been outstanding.
If you're into ultrawide and want to go digital, the 20d with 10-22 is a fantastic setup. If you've already gone digital and want to try wide angle, (assuming your camera can use ef-s lenses) this is a true bargain - you get a 16mm, 20mm, 24mm, 28mm, and 35mm all rolled into one. It makes me positively giddy. Thank you, Canon!
My photographic "pride and joy", actual score is 4.5 stars March 16, 2007
M. E. Boldt (Arcade, NY United States)
38 out of 39 found this review helpful
I have owned this lens for about 16 months and am extremely pleased with it. I have a Digital Rebel (300D), so the EF-S designation is perfect for me (for now). It took a little getting used to, as I had never shot with a ultra wide lens before, but I love the possibilities it offers. For instance, I can stand remarkably close to a large object (i.e. building, monument, landscape feature) and easily fit the entire object in the frame. There is, of course, considerable trapezoidal effect in these shots, but that can be corrected fairly easily in Photoshop.
While shopping for an ultra wide lens, I visited a local camera shop and compared the EF-S 10-22 to a 17-40 L on my Digital Rebel. The sales guy and I went outside, took several shots with each lens, downloaded them to a computer in the store and compared them side-by-side. We took the same shot with the same settings, then the same shot with each lens wide open. The results were extremely surprising.
There was no noticeable difference in color or sharpness quality between the two lenses in the focal areas of the images. Both lenses produced very good images, but the L lens certainly wasn't better. This was a pretty big surprise to both of us. The even bigger surprise was the EF-S was VERY noticeably sharper around the edges at 10mm f3.5 vs the L lens at 17mm f4. The sales guy was completely amazed, as he had started off by giving me the usual speech about the superiority of Canon L series lenses. I think our experiment has given him something different to tell his customers!
I still believe there are great reasons to buy L lenses, and someday soon I probably will. But I walked out of there with the EF-S lens, especially considering both were the same price and the 10-22 is markedly wider on my DRebel (no surprise!).
Pros: ultra wide angle capability for APS-C cameras, "L-like" build quality and sharpness
Cons: EF-S designation limits compatible cameras (resulting in half star reduction)
In summary, this lens is my photographic "pride and joy", and it travels everywhere with me.
Showing reviews 1-5 of 149
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